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| portager | Tidal | |
|---|---|---|
| - | 24 | |
| 4 | 2,128 | |
| - | 2.5% | |
| 0.0 | 8.8 | |
| almost 7 years ago | about 20 hours ago | |
| Haskell | C++ | |
| BSD 3-clause "New" or "Revised" License | GNU General Public License v3.0 only |
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portager
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Tracking mentions began in Dec 2020.
Tidal
- Tidal Cycles – Live coding music with Algorithmic patterns
- I made a command-line tool to assist me with writing polyrhythmic drum parts
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13 Years of History Teaching - Now Thrown Into CS.
So you’re wondering what would making music with code look like? The tools I’m familiar with are TidalCycles, Sonic Pi, and SuperCollider. I’m having a hard time describing what it’s like to make music with tools like these so here’s a video of a performance. One person is live coding the music and the other is live coding the visuals. I think it’s super cool how the music is improvised and built over time by layering commands. Some keywords you could search to see more examples would be Algorave and Livecoding.
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Where is Haskell used?
https://tidalcycles.org/ is another great example, parsing patterns of text and printing live music.
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Live coding languages
For sound live coding/algorave sonic pi and tidal cycles are great, both based on supercollider.
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Sonic Pi – The Live Coding Music Synth for Everyone
I don't know the alternatives but I'm a big fan of https://tidalcycles.org/. People really do crazy things, check out the videos on the front page.
I love when 2 DJs live-code together (on the same document! Editing each other's loops) or when a VJ live-codes some visuals in reaction to the DJ live-coding the music.
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What is a little known subject/application/problem that you learned about recently or are involved in that you think is fascinating?
If you're interested in ChuCK, there's also Pure Data (a FOSS cousin of the commercial Max/MSP) and SuperCollider and a lot of live coding algorave sorta music things are built on top of SuperCollider like TidalCycles so you can execute lines of code live via a REPL or evaluating blocks of code in a document and generate beats in realtime.
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The Way in Which Brian Eno Created Ambient 1: Music for Airports
Tidal Cycles! https://tidalcycles.org/
As layer8 mentioned, it is technically Haskell but more specifically a DSL and environment for live coding music.
Pretty fun to play around with!
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How would someone who is deathly broke become a serious rapper?
After digging deeper, I've found TidalCycles tidalcycles.org and that's my favorite Livecoding software. Now you can start programming music without any cost.
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Formalizing Konnakol using Haskell - GSoC '22
The code written in this regard can be found here. My contributions focused on designing, implementing and integrating the Sequence module with the help of the Context module.
What are some alternatives?
DeepDarkFantasy - A Programming Language for Deep Learning
overtone - Collaborative Programmable Music
TransformeR
Sonic Pi - Code. Music. Live.
sixty-five-oh-two - A 65C02 Assembly eDSL in Haskell
faust - Functional programming language for signal processing and sound synthesis
csound - Main repository for Csound
binaryen - DEPRECATED in favor of ghc wasm backend, see https://www.tweag.io/blog/2022-11-22-wasm-backend-merged-in-ghc
glicol - Graph-oriented live coding language and music/audio DSP library written in Rust
FoxDot - Python driven environment for Live Coding
supercollider - An audio server, programming language, and IDE for sound synthesis and algorithmic composition.
hint - Runtime Haskell interpreter