NFT's Aren't the Answer to the IRL Problems of Digital Art

This page summarizes the projects mentioned and recommended in the original post on news.ycombinator.com

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  • hicetnunc

    hicetnunc UI/UX

  • Someone mentioned hicetnunc.xyz here, so I went and took a look at their FAQ. I thought this was interesting[1]:

    > To make it easier for buyers, please leave a trace to any social profile or website in the description of your artwork, so potential buyers can validate the authenticity. If you can link the NFTs the artist is advertising on the profile with the NFTs on Hicetnunc, you can assume it is legit.

    So NFT markets are relying on third party social media sites to prove authenticity. And I suppose artists would rely on the government an actual copywright law if they wanted to enforce anything.

    [1] https://github.com/hicetnunc2000/hicetnunc/wiki/General

  • duckduckgo-locales

    Translation files for <a href="https://duckduckgo.com"> </a>

  • > the Cryptopunks are [...] by all accounts a labour of love

    Just for the benefit of anyone else looking in on this, these are cryptopunks: https://duckduckgo.com/?t=ffab&q=cryptopunk&iax=images&ia=im...

    Even if you buy wholesale into the narrative about the history of cryptopunks (and to be clear, this is a deliberately chosen narrative, the cryptopunk creators were not against making money and they gave away a large percentage of their tokens in part because they hoped the tokens they held would increase in value if they became more popular) -- but even if you take everything about their history at face value, you're still left with:

    A) Pieces that do not have much artistic value outside of their position and relevance inside the ecosystem in which they were created: nobody is going to seriously claim that cryptopunks are themselves great works of art, any artistic value comes from the creation of the NFT model for generative/mass-produced artwork,

    B) Pieces that are definitively mass-produced, that's literally how they were made,

    C) Pieces that have been largely divorced from any artistic message that the original pieces held; the evolution of a piece designed to evoke a counter-cultural punk aesthetic into a piece that can only be controlled and owned by the richest members of society is its own possibly unintentional statement on the state of NFTs, and

    D) Pieces that are significant specifically because they formed a model for other even more derivative pieces by other creators who lack even the benefit of creativity in regards to the crypto-ecosystem itself. Cryptopunks are significant because they proved the viability of other collections like bored apes and their ilk, products that are utterly devoid of any kind of meaningful social statement or craftmanship.

    You still wouldn't compare cryptopunks to a hand-crafted watch. They're at best historically significant, but they don't demonstrate any particularly breathtaking artistic skill, and any artistic message they were trying to make has been largely invalidated by the evolution of the space into the least "punk" community in tech. The nicest thing I can say about cryptopunks is that they have turned into a satire of what the NFT market thinks about itself.

  • SurveyJS

    Open-Source JSON Form Builder to Create Dynamic Forms Right in Your App. With SurveyJS form UI libraries, you can build and style forms in a fully-integrated drag & drop form builder, render them in your JS app, and store form submission data in any backend, inc. PHP, ASP.NET Core, and Node.js.

    SurveyJS logo
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