Attribution VS awesome-linguistics

This series is cataloged in the World Shakespeare Bibliography and in the Play Index (EBSCO). A few sections out of BRRAM have been published in scholarly journals. “Manipulation of Theatrical Audience-Size: Nonexistent Plays and Murderous Lenders” was published in Critical Survey, Issue 34.1, Spring 2022. “‘Michael Cavendish’s’ 14 Airs in Tablature to the Lute (1598)” was published in East-West Cultural Passage, Volume 22, Issue 2, December 2022. The Journal of Information Ethics published two articles on Faktorovich’s re-attribution method: “Publishers and Hack Writers: Signs of Collaborative Writing in the ‘Defoe’ Canon” (Fall 2020) and “Falsifications and Fabrications in the Standard Computational-Linguistics Authorial-Attribution Methods: A Comparison of the Methodology in ‘Unmasking’ with the 28-Tests” (Spring 2022). BRRAM is also mentioned on Wikipedia and there have been over 1,741 comments about it on LibraryThing. The computational data, handwriting comparisons across bylines, diagrams and other content to assist further research is publicly accessible at: https://github.com/faktorovich/Attribution

Very interesting they were funded from Kickstarter! 292 backers at 10k€. I assumed you needed quite the following for Kickstarter to work...

And it looks like they do. 49k followers on Facebook and 16k on Instagram. Not sure how far back these go, but looks like very "shareable" content, where they would take I translatable words and make little funny pictures or memes or other intriguing things and post them. Lots of interaction comments/reaction-wise

Timeline-wise this was backed on Kickstarter in 2020. Site launched in summer 2020. The creator was very active on Kickstarter working on communicating and updating the community with what was going on (until the end there).

Also seems to have a Patreon, and worked itself into other places like https://github.com/theimpossibleastronaut/awesome-linguistic...