We asked camera companies why their RAW formats are all different and confusing

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  1. rawspeed

    fast raw decoding library

    https://github.com/darktable-org/rawspeed/tree/develop/src/l...

    It's some binary parsing, reading metadata, maybe doing some decompression-- a thousand lines of C++ on average for each format. These aren't complex codecs like HEVC and only reach JPEG complexity by embedding them as thumbnails!

    Cameras absolutely could emit DNG instead, but that would require more development friction: coordination (with Adobe), potentially a language barrier, and potentially making it harder to do experimental features.

    Photographers rarely care, so it doesn't appreciably impact sales. Raw processing software packages have generally good support available soon after new cameras are released.

  2. Stream

    Stream - Scalable APIs for Chat, Feeds, Moderation, & Video. Stream helps developers build engaging apps that scale to millions with performant and flexible Chat, Feeds, Moderation, and Video APIs and SDKs powered by a global edge network and enterprise-grade infrastructure.

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  3. iatodng_rs

    IAtoDNG, now in 100% Rust!

    I think that might be why a lot of camera makers don't care to use DNG - it's easier to make their own format and easy enough for others to reverse engineer it.

    One thing that open source libraries do tend to miss is that very important extra metadata - for example, Phase One IIQ files have an embedded sensor profile or full on black frame that is not yet encoded into the raw data like it typically is for a NEF or DNG from many cameras. It does seem rawspeed handles this from a quick scan of the code.

    It can get more tricky - Sinar digital backs have an extra dark frame file (and flat frame!) that is not part of the RAW files, and that is not handled by any open source library to my knowledge - though I did write a basic converter myself to handle it: https://github.com/mgolub2/iatodng_rs

    I'm not sure how DNG would be able to handle having both a dark and flat frame without resorting to applying them to the raw data and saving only the processed (still unbayered) data.

  4. darktable

    darktable is an open source photography workflow application and raw developer

    Fujifilm lossy compressed raw still isn't supported after many years [1].

    [1] https://github.com/darktable-org/rawspeed/issues/366

    And in my experience there has been lots of bugs with Fujifilm raws in darktable:

    [2] https://github.com/darktable-org/rawspeed/issues/354

    [3] https://github.com/darktable-org/darktable/issues/18073

    However, Fujifilm lossless compressed raw actually does a decent job keeping the file sizes down (about 50% to 60% the file size of uncompressed) while maintaining decent write speed during burst shooting.

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