aeon VS overtone

https://pkgd.racket-lang.org/pkgn/search?q=music , https://github.com/tommaisey/aeon (Chez Scheme) ?

It would be totally possible. I'm working on a Scheme-based live-coding tool that allows you to write SuperCollider Synthdefs in Scheme, thanks to a project called rsc3. That project would be a good inspiration if you were going to attempt this.

I am also working on algorithmic composition with Scheme. I'm working on a system that bears some similarities with Tidal Cycles, using Chez Scheme. It's called Aeon.

I've never actually used it myself. I've preferred systems that talk to SuperCollider, like overtone, because it's already rock solid and has lots of good DSP built in.

Thanks. I don't know to what extend its "better-because-of-clojure" but I also found overtone https://github.com/overtone/overtone which should be good fun (though the underlying synthesizer is supercollider/C++).

You might want to look at Overtone, which is a clojure environment built on top of overtone, and which integrates with processing and a few other similar things.

https://overtone.github.io/

> I'm fluent in Python but find the use of colons is the real sticking point.

The you'd probably have hated its predecessor which was all about the parentheses: https://overtone.github.io/

It's too bad that superficial stuff like which characters you need to type is holding you back. Getting used to Ruby when you're familiar with Python is no big deal. I would just stick with it

There's a project you may find interesting: https://overtone.github.io/. Besides sound/synthesis stuff, it has https://github.com/overtone/midi-clj library, which allows you to write MIDI as lisp (Clojure, to be precise) code. Emacs has great support for Clojure programming (via Cider), and REPL-based development is perfect for writing music.