overtone
elk-pi
| overtone | elk-pi | |
|---|---|---|
| 34 | 7 | |
| 6,187 | 264 | |
| 0.2% | 2.3% | |
| 3.2 | 0.0 | |
| 5 months ago | 2 months ago | |
| Clojure | ||
| GNU General Public License v3.0 or later | - |
Stars - the number of stars that a project has on GitHub. Growth - month over month growth in stars.
Activity is a relative number indicating how actively a project is being developed. Recent commits have higher weight than older ones.
For example, an activity of 9.0 indicates that a project is amongst the top 10% of the most actively developed projects that we are tracking.
overtone
- Overtone
- Supercollider
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Strudel REPL – a music live coding environment living in the browser
When I last played with SuperCollider I used Overtone, that wraps everything in a Closure API. With that you use s-expressions instead of sclang to define your sounds. I am not sure what the state of Overtone is these days, but there seems to still be some activity: https://overtone.github.io/
- Ask HN: Who Are Your Favorite Photography and Generative Coding Artists?
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Algorithmic Music Generation with Python
Overtone is the state of the art if you like Lisp https://github.com/overtone/overtone
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Sndkit – a toolkit for computer music composition
https://clojure.org/guides/threading_macros
Incidentally, for making music with Clojure there's Overtone: https://github.com/overtone/overtone
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Synth wars: The story of MIDI (2023)
> Midi being an “artist” tool places it more as a medium like paint.
I’ve used MIDI “as paint”.
Written music using code to MIDI(1), and wrote “cross instrument” music, ie using my keyboard as drum machine.
But these days MIDI is chiefly an archival method for me.
Every time I touch my keyboard is recorded, is much smaller than a comparable audio recording, by design “forced fidelity” in the recording, and I am able to pipe the MIDI format through transcription software (which would be near impossible from an audio recording today).
(1) http://overtone.github.io/
- My Sixth Year as a Bootstrapped Founder
- Linux Audio Primer (for Overtone users)
- Overtone – programmable, live music in Clojure
elk-pi
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Elk Audio OS
Just found Elk Audio OS. Looks exciting, but I'm struggling to understand exactly what it is and how it might be useful. Anyone using it? https://elk.audio/
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Real time audio processing in linux.
That might not matter too much for you - if not then you're set. But if it does, using small buffers is hard with Linux (and non-realtime OSes), since the kernel has other things to balance, so you can occasionally miss your deadlines and have audio glitches if the buffers are too small. These guys offer a linux distro that's been well tuned for audio processing, as well as an engine that makes it easy to drop in your effects algorithm without having to deal with hardware support and making that engine: https://elk.audio/
- Ask HN: How to get started with audio programming?
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A curated list of Music DSP and audio programming resources
There's https://elk.audio/
Overall there are JUCE embedded support.
If you need more bare bones there are some DSP only resources. Not sure if I saw there the RtAudio which is also very minimal -
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HW + OS for Loudspeaker Crossover
I’ve run JUCE apps on embedded linux, a Raspberry Pi running maybe Elk Audio or Patchbox OS might be a good bet
- Korg Wavestate - Powered by Raspberry Pi
- Raspberry Pi 4 based synth - questions about external sound card.
What are some alternatives?
Sonic Pi - Code. Music. Live.
camilladsp - A flexible cross-platform IIR and FIR engine for crossovers, room correction etc.
scheme-for-max - Max/MSP external for scripting and live coding Max with s7 Scheme Lisp
zynthian-sys - System configuration scripts & files for Zynthian.
Tidal - Pattern language
awesome-musicdsp - A curated list of my favourite music DSP and audio programming resources