Orca VS SuperDirt

Lastly, something I want to start exploring more, is funky ways to sequence stuff. There's a program called ORCA which is more programming than performing (unless you're into live coding!) but it can make some really neat stuff. That YT channel has a video going over the basics, too. Something like that might be more of a learning curve than you want, but I love the idea of obtuse ways to make melodies.

I love using ORCA for generative experimentation https://github.com/hundredrabbits/Orca

In particular - theres a music environment called Orca that is such a great fit for a Roguelike, and porting it to Rust might be a fun medium-size project.

I've downloaded the Linux zip file from the link above and even after unzipping it and going through those files I can't find anything I'm supposed to be able to open. I've tried checking the MANUAL and the README file on the program's Github but I can't seem to get it going there either.

Tidalcycles actually runs SuperCollider as its sound backend, through the SuperDirt library: https://github.com/musikinformatik/SuperDirt/

Another excellent Haskell based live-coding tool: https://tidalcycles.org/

Even if you don't know Haskell, it is a delight to improvise electronic music with this library. It comes with its own mini-language for dealing with musical patterns and can synchronize with any instrument. Very extensible, the backend uses https://github.com/musikinformatik/SuperDirt, a SuperCollider extension for dealing with synths / samples / effects.

Cl-collider is really nice. However, I’m trying to design something so that I can be free from SuperCollider one day. I already programmed a library in Python targeting SuperDirt for live-coding. The drawback is that I’m now dependant on SuperCollider for almost any kind of I/O (OSC pass through SC and out, as well as MIDI).